Review: The Merry Widow (Opera Australia)
Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.
Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.
Opera Australia marks its 70th birthday with an “outrageously good performance” that breathes new life into Elijah Moshinsky’s iconic production.
We trace the history of the soaring male voice from the 18th-century castrati to a reclaiming of some mezzo-soprano roles today.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Opera singer turned arts administrator Ashley Giles takes up key role as the company prepares for its 40th anniversary in 2029.
In director Graeme Murphy and conductor Vanessa Scammell’s hands, Lehár’s operetta reveals a very human heartbeat beneath all the froth.
Creatives from Hayes Theatre Co's Phar Lap, Netflix's The Last of Us and Opera Australia's Guys and Dolls recognised in this year's award nominations.
Soprano and composer Shauntai Abdul-Rahman to develop a new song cycle with the Australian Art Orchestra.
Deft choices do justice to Brahms’ very “human” requiem. What more could one ask for?
Opera Australia’s Head of Music explains how he moved from playing classical piano to conducting opera, and why The Drover’s Wife is so powerful.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Jake Lyle, who played The Phantom on Sydney Harbour, is one of OA's new Young Artists, who will perform in concert with the graduating class in August.
British actor Nathaniel Parker will take on the role for Opera Australia, starring opposite Australian soprano Claire Lyon as Eliza Doolittle.