Soprano and composer Shauntai Abdul-Rahman to develop a new song cycle with the Australian Art Orchestra.

Deft choices do justice to Brahms’ very “human” requiem. What more could one ask for?

Opera Australia’s Head of Music explains how he moved from playing classical piano to conducting opera, and why The Drover’s Wife is so powerful.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Jake Lyle, who played The Phantom on Sydney Harbour, is one of OA's new Young Artists, who will perform in concert with the graduating class in August.

British actor Nathaniel Parker will take on the role for Opera Australia, starring opposite Australian soprano Claire Lyon as Eliza Doolittle.

Ahead of her title-role debut in Opera Australia’s The Merry Widow, soprano Emma Pearson tells us why operetta deserves pride of place alongside opera.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The latest arts appointments and departures.

Musicals and harbour spectaculars help company recover from multi-million-dollar deficit.

A new opera confronts our raw history with the highest echelon of Australian performers.

Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.