Review: Grieg’s Piano Concerto (Sydney Symphony Orchestra)
Despite Grieg's blockbuster becoming a white-knuckle page turner, Piers Lane gave a magisterial performance with the Sydney Symphony Orchestra.
Despite Grieg's blockbuster becoming a white-knuckle page turner, Piers Lane gave a magisterial performance with the Sydney Symphony Orchestra.
Curator Hannah Fink takes us through the musical specials at the Sydney Opera House's acclaimed restaurant.
Kathryn Stott unveils her final program as Artistic Director, postponed after the cancellation of the 2020 festival.
Tamara-Anna Cislowska tells us about a concert at Sydney Festival that will see six pianists play six grand pianos in the Sydney Town Hall.
Paul Kildea’s first season as Artistic Director will feature several programs rescued from 2020, plenty of Australian artists, as well as a staged presentation of his book Chopin’s Piano.
More musical gold from the old country unearthed by the Goldners and Piers Lane.
Little and Lane steer a fine series to an equally fine conclusion.
Piers Lane, whose new album is Limelight's Recording of the Month, explains why once recognised masterpieces can grow to be underestimated and neglected.
Piers Lane dazzles, charms and calms in these English concertos.
Two (near) contemporaries make surprising bedfellows.
Little and Lane prove ideal partners for a middle ground Brahms survey.
From Mahler to Lang Lang with plenty in between, the MSO's outgoing Chief discusses his final year.
Nicholas Milton and guests deliver an engaging concert with the CSO – and a most satisfying Enigma.