Ahead of its run at Sydney Festival, writer, director and designer David Morton talks the development of his play about Charles Darwin.

Sam Strong’s first season as Artistic Director has smashed company records for ticket sales and subscribers.

A real-life husband and wife turn savage in Joanna Murray-Smith’s adaptation of Scenes from a Marriage. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Nakkiah Lui lobs a thrilling "Molotov cocktail" for her directorial debut.

Highlights include Nakkiah Lui’s Black is the New White, Osamah Sami’s newly adapted memoir, and a Hedda Gabler on the coast. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Sam Strong has two horses – and divided loyalties – in the race for Best Play at this year’s Helpmann Awards. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Physicality in spades in Michael Frayn's farce-within-a-farce.

Front to back or back to front, Michael Frayn’s classic farce-within-a-farce must go on.

Strong makes auspicious debut with a thought-provoking, beautifully crafted play.

The Flick is an absorbing and well-crafted play that amuses and disturbs.

Affectionate story and strong cast help ladies find some of their feet.

New Australian writing takes the lead in Sam Strong’s inaugural season as Artistic Director. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in