Electric Shock
Why has classical music been so slow to incorporate electric instruments?
Why has classical music been so slow to incorporate electric instruments?
Joseph Tawadros recalls how he got hooked on the oud, and how the instrument – and the teaching of it – is evolving as it becomes more accepted into orchestras around the world.
James Crabb and the ACO give us the smell of steamy tangos on a hot February night
A joyful return to the stage turned the page on a troubled season, and marked the start of exciting new era for the ACO.
For its 2022 season the Australian Chamber Orchestra announces a new era as it moves to its new home at Pier 2/3 in Sydney's Walsh Bay Arts Precinct.
Few performances of Schubert's 'Trout' come close to this hour-long slice of heaven from the Australian Chamber Orchestra.
The ACO's fifth StudioCast presents some of their favourite repertoire – including Arvo Pärt’s Tabula Rasa – as you have never seen it before.
We look at opera's love affair with wine, the Australian Chamber Orchestra's new project River, and Virginia Gay's emergence as a playwright. We also salute Paul Goodchild, doyen of Australian brass.
Anna Melville, former Head of Programming at the ACO, discusses moving countries during a pandemic to take up a role at City of Birmingham Symphony Orchestra, and the challenges for arts programming.
How the Australian Chamber Orchestra went with the flow for its latest film project.
Sublime music, sublimely played by Tognetti & Co.
With Richard Tognetti and his players embracing change, Bach and the Beyond certainly feels like a taste of things to come.
This concert by the Australian Chamber Orchestra represents a statement of intent, a step on the road to cultural revolution.