Opera Column: Opera rises like a phoenix from viral ashes
A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.
A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.
A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.
Britain welcomes back art lovers, but the roadmap to normality looks increasingly uncertain.
Find out what's on stage and streaming online in December from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
Superbly sung and beautifully acted, even if the concept remains somewhat impenetrable.
For week two, Clive Paget travels from his living room to New York, London, Berlin and back to Oz.
Angel takes wing as Donizetti’s lost opera is revisited at last.
The Canadian bass, a regular collaborator of Joan Sutherland's, has died at the age of 90.
Benjamin’s anticipated Written on Skin follow-up proves no anti-climax.
After success abroad, the singer has received a $25,000 grant for artistic development.
Given time, Kaufmann’s Moor will likely be more the merrier.
An audience member jumped in mid-show when a production of La Bohème had to replace its ailing tenor.