Review: Baroque Masters (Australian Baroque Orchestra)
Virtuosic, yet direct and disciplined, this is Baroque music at its most communicative.
Virtuosic, yet direct and disciplined, this is Baroque music at its most communicative.
A thoughtfully curated program offers a unique musical dialogue between old and new, period instruments and modern technologies.
A masterful performance of Verdi’s choral masterpiece sets the bar high early and keeps it there for the duration.
The Brandies’ top-notch core players are unleashed in a clutch of concertos.
The Artistic Director of the Australian Brandenburg Orchestra talks about the "hidden gems" in his program for Baroque Unleashed.
Under guest leader Shaun Lee-Chen, WASO pivots convincingly to historically-informed performance mode.
Paul Dyer and the Brandies hit the jackpot with back-to-back Bach Baroque bonanza.
Cameron Lam collects the latest releases across Classical, Jazz, and Sound Art in this month’s Australian Art Music playlist.
A brand new work, a returning favourite and a string of collaborations - the Brandenburg aims to dazzle in its 35th anniversary year.
The ABO’s core musicians step out to showcase their soloistic skills with dazzling displays of technique.
Brandies dish up a double serve of delicious Vivaldi, Seasoned to taste.
This presentation of a neglected masterpiece in an abridged version by Joseph Nolan proved welcome and accomplished, but it undercut the work’s complexity and didn't always do justice to Handel’s genius.
Paul Dyer discusses the six concerts featuring Leila Schayegh, Elinor Frey, Théotime Langlois de Swarte and the Whirling Dervishes from Konya, as well as a happening with graffiti artists away from the mainstage.