The Government is “broadly supportive” of recommendations, including fines for casting too many non-Australian singers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
An utterly captivating and delightful experience that deserved a longer season.
Timothy Sexton, also the company’s chief executive and regular conductor, has stood down citing personal reasons.
The mezzo on the prevalence of domestic violence and why she believes “Cavalleria Rusticana is absolutely contemporary”.
★★★½☆ Impressive individual performances in an otherwise safe production. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Queensland tenor talks all things Cavarodossi in the lead up to State Opera South Australia’s latest staging. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The report into Australia’s opera companies recommends increased funding and a cap on international singers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Artistic Director Timothy Sexton shares the thinking behind State Opera of South Australia’s “Opera Evolve” 2016 season. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
“I thought that it was a nutty idea, but nutty enough to be intriguing,” says best-selling author. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Inquiry into the state of opera in Australia invites lovers of the art form to have their say. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Are Australians in danger of overlooking some of the best music-making in our own backyard? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Celebrating a decade since the premiere of Australia's home-grown Ring Cycle.
Simon Phillips' production of Verdi’s Otello opens with nearly all hands on the decks of a 21st-century aircraft carrier.
