Review: Madeline Lee (State Opera South Australia)
A standout performance by Warwick Fyfe sees Madeline Lee soar.
A standout performance by Warwick Fyfe sees Madeline Lee soar.
A revival of Summer of the Seventeenth Doll, a Verdi blockbuster, two musicals and a visit from Les Arts Florissants.
One of those all-too-rare opportunities where both artistically and technically, this was a flawless performance.
The 1986 opera by Martin and Peter Wesley-Smith returns as part of SOSA's The Lost Operas of Oz in a brilliantly conceived production.
Artistic Director of State Opera of South Australia, Stuart Maunder, talks about his new initiative, The Lost Operas of Oz, which sees the company stage three neglected Australian operas in 2019.
Featuring an excellent cast, Stuart Maunder's Vixen is a highly imaginative romp.
A back-to-basics Carmen successfully staged outdoors.
With the year drawing to a close, we look back over the operas that wowed our critics in 2018.
The former Artistic Director and Chief Executive of State Opera of South Australia has pleaded not guilty to four charges relating to alleged offences between 1988 and 1991.
The soprano, who dropped the double bass for singing lessons as a teenager, talks about Puccini’s heroines, her multifaceted career, and her upcoming star turn as a mermaid.
Its newly announced season includes a new series intended to promote existing Australian opera.
An uneven presentation of this comedy from Wagner.
Currently singing Leïla with State Opera of SA, the soprano talks about her funniest moment on stage, her guilty pleasures and a back-up career in astrophysics.