Review: Prism (The Australian Ballet)
The Australian Ballet’s stylish, sophisticated triple bill raises the bar.
The Australian Ballet’s stylish, sophisticated triple bill raises the bar.
As the world celebrates ballet on 12 November, Limelight spotlights the events lighting up stages nationwide.
“Lower your guard,” says incoming Artistic Director Matthew Lutton, heralding the return of Peter Sellars and contemporary music.
A double-take staging of a Hollywood classic the centrepiece of Malthouse Theatre's 2026 program.
“This year’s nominees reflect the extraordinary depth and diversity of talent working in production design across the country,” says APDG President Michael Scott-Mitchell.
An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.
Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.
Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.
In record time, new Artistic Director Brett Sheehy has put together a program consolidating the festival’s long-held international reputation.
Sydney Festival 2025 is about "rediscovering your city" says Artistic Director Olivia Ansell – and making it financially possible to do so.
Two world premieres, canon classics and the 10-year anniversary of a beloved production: TAB strikes the balance between new and old.
A round-up of our recent news reports.
Calling South Australian dancers aged 12 and over: Stephanie Lake is creating a work for 1,000 performers to open the 2025 Adelaide Festival.