Review: Tristan und Isolde (West Australian Symphony Orchestra)
An orchestra’s 90th birthday celebration is an astonishing gift to audiences and a triumph of music making.
An orchestra’s 90th birthday celebration is an astonishing gift to audiences and a triumph of music making.
Over the past two decades, Australian Heldentenor Stuart Skelton has quietly conquered the operatic world. He reveals how he discovered he wasn’t vocally bulletproof, and admits to an ambition to run an opera house.
The Australian heldentenor enthrals audiences with a recital, memories of which will remain indelible.
The soprano has withdrawn from the orchestra’s hotly anticipated presentation of Tristan, which was to have featured Stuart Skelton and Westbroek in the title roles.
The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.
Stuart Skelton, STC's The Harp in the South, Carl Vine, Dame Joan Hammond, and orchestras on the fringe who are thriving.
11 young singers will compete to secure their place in the final, where they’ll get a chance to take home the Marianne Mathy Scholarship.
David Berthold has divided this year's program into three acts, with highlights including Peter Grimes, Memorial and QSO's Symphony For Me.
Stuart Skelton heads a distinguished field as Rattle uncovers Mahler the Modernist.
A touching tribute to an absent artist and a superb account of Mahler Ten makes this evening a gift.
The mezzo-soprano has withdrawn from her upcoming SSO performances after her husband died at the weekend.
Elgar's Dream is vividly brought to life.
The Heldentenor will perform his signature role in Australia for the first time since 2009.