Sydney Festival announces its 2019 program
The line-up includes Kaija Saariaho's oratorio La Passion de Simone, Schaübuhne's Beware of Pity and a divisive play called Daughter that has had women walking out.
The line-up includes Kaija Saariaho's oratorio La Passion de Simone, Schaübuhne's Beware of Pity and a divisive play called Daughter that has had women walking out.
This zany, energetic night of song and dance is just the right amount of pandemonium.
A stunning, magical celebration of the natural world.
Razor-sharp dialogue drives this brilliantly upbeat, multi-layered exploration of community.
A bawdy, acerbic puppet show that is ultimately very sweet.
A crazy cocktail of circus, drag, comedy, Irish dancing and slam poetry, with something to say.
Inua Ellams’ joyous play set in London and Africa has proved a cut above the rest.
There is much to savour in this new dance theatre work, but it needs a clearer, stronger focus.
Danish band Between Music plunges the audience into a wondrous underwater sound world.
A new era at Circus Oz has begun in style.
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It took Danish ensemble Between Music ten years to become the world's first underwater band. They're now bringing their show Aquasonic to the Sydney Festival.
Ahead of its run at Sydney Festival, writer, director and designer David Morton talks the development of his play about Charles Darwin.