Review: Bach & his Dutch Contemporaries (Sydney Festival)
Cunning Dutchmen give the usual suspects a run for their money.
Cunning Dutchmen give the usual suspects a run for their money.
Anne Teresa De Keersmaeker's exploration of Grisey's spectralism is an astonishing triumph.
Dusapin's Orphic duologue gets a welcome Aussie premiere.
The Belgian 'early music' pioneer explains why period style matters, no matter what period.
Even after three decades, De Keersmaeker's exploration of Reich's minimalism is transfixing.
This saucy romp through Andersen's aquatic fable is cabaret perfection.
The British punk-cabaret masters shock and delight with an intimate but raucous set.
This esoteric production is a sophisticated but impenetrable retelling of Büchner’s bleak story.
Kentridge and Goerne's gripping Transvaal trek both hypnotises and provokes.
Outgoing Festival Director Lieven Bertels' final selection kicks off later this week. We take a look at the best from the fest.
What is it about Büchner’s brutal unfinished play that draws us back again and again?
The visionary Belgian choreographer talks about finding the movement in music.
Sydney Chamber Opera AD Jack Symonds explores Pascal Dusapin's total fusion of past and present.