Review: Dear Son (Queensland Theatre & State Theatre Company South Australia)
This examination of First Nations masculinity is powerful in its complexity and unabashed vulnerability.
This examination of First Nations masculinity is powerful in its complexity and unabashed vulnerability.
“Men don’t talk.” It’s a phrase we’ve heard so often, it’s practically gospel. A new stage production is challenging the trope.
The latest arts appointments and departures.
The latest arts appointments and departures.
A new category of Foundation Events to be prioritised for three-year Strategic Investment Agreements and relaxed regulation.
A bold and dazzling "cyber-opera" reimagines grief through music, movement and mesmerising visuals.
Matthias Schack-Arnott's spatial upgrade to Cage's Sonatas and Interludes honours a radical work with innovation of its own.
Making their Australian debut, Bristol's Ishmael Ensemble showcase their atmospheric, reverb-heavy soundscapes and brilliant command of texture and form.
Five virtuosic acts nestled within an outdoor harbourside spin a soggy afternoon into gold.
Terrific riffing, telepathy and artistry from French reed virtuosi NoSax NoClar.
A scintillating, uncomfortable comedy that lets no-one off its hook – especially the audience.
In her new cabaret show, Rachael Beck celebrates 16 high-achieving Australian women, each with an inspiring story to tell.
Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.