Review: Blue (Belvoir, State Theatre Company South Australia)
The self-penned Blue confirms Heartbreak High star Thomas Weatherall as an actor and emerging playwright to watch.
The self-penned Blue confirms Heartbreak High star Thomas Weatherall as an actor and emerging playwright to watch.
Delivering an engaging and bold set for a slowly-waking Sydney, the American composer served up more than the marketing copy promised.
Do not blink, do not miss a second of this extraordinary trip into the unruly labyrinthine of its creator’s mind.
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.
Stunning, bonding and thoughtful, this immersive eight-hour experience reaches out to the world beyond its four walls.
Christie Whelan Browne and writer/director Dean Bryant discuss their darkly funny look at the world of musical theatre performers.
Mythology, sexuality and even gravity are up for re-examination in Holding Achilles, a production which has taken its makers in new and demanding directions.
With striking field recordings, lighting and live performance, Speak Percussion takes us on a trepidatious, yet stunning expedition through the wild wonder of Antarctica.
In its quiet, gentle way, Sun & Sea is a work of genius that will linger long in the memory.
Mary Finsterer's heart-stoppingly beautiful new opera is endlessly absorbing, sonically and visually.
Mary Finsterer takes us on a journey through time and space in her new opera Antarctica.
What do the festivals have on offer in the year ahead?