★★★½☆ A perfectly understandable production of good clean gibberish. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

From fables to fairy stories, from puppets to prostitutes, Richard Mills aims to run the operatic gamut. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Season highlights include new productions of The Elephant Man and The Black Rider plus Complicite’s immersive The Encounter. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

★★★★☆ An inspired and telling tale of two mediums: the opera and the circus. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Director and commedia dell’arte expert Emil Wolk explains how post-WW2 Italy is uncannily like present day Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Churchill Trust report author David Barnard is "irresponsible" and "self-interested," says Opera Queensland's Lindy Hume.

Pratt is a singer at the height of her powers, but in spite of her solid gold C.V., she has been a relatively rare presence on home turf.

★★★★☆ A feast for the ears peppered with delicious performances, but an implausible plot leaves a sour taste. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Steve Vizard tells the story behind his new musical collaboration with Paul Grabowsky. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

A musically sublime but visually slight journey to Baroque heaven.

Limelight speaks to Richard Mills about 2016’s gastronomic delights, circus thrills, and bel canto masterworks. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

An almost great production with one unfortunately conspicuous weak link.