• Australian National Academy of Music: In Conversation with Kaylie Melville

    Abbotsford Convent 1 St Heliers St, Abbotsford, VIC, Australia
    ANAM alumna and Melbourne-based percussionist Kaylie Melville is a soloist and chamber musician dedicated to new music performance. Noted for her “extraordinary ability to impart a sense of musicality to even the smallest gestures” (Partial Durations), Kaylie is Artistic Director of the new-music organisation Speak Percussion and of the contemporary…

    Australian National Academy of Music: Millennium Canticles

    Abbotsford Convent 1 St Heliers St, Abbotsford, VIC, Australia
    ANAM alumna Kaylie Melville, Artistic Director of Speak Percussion and Co-Artistic Director of Rubiks Collective, returns to direct ANAM’s percussionists in Missy Mazzoli’s Millennium Canticles — a post-apocalyptic song cycle that reimagines ritual in a fractured world. Written in 2022 for the Chicago ensemble Third Coast Percussion, the work blends ancient chant…

    Australian National Academy of Music: ANAM Recital: Max Gregg

    Abbotsford Convent 1 St Heliers St, Abbotsford, VIC, Australia
    As a musician’s instrumental proficiency develops, so too does their artistic taste and temperament. Each ANAM musician’s recital is a snapshot in time – simultaneously summarising their year of training and revealing glimpses of their future selves. What music excites them? What do they want to communicate? How does their…
  • ELISION Ensemble: Sorcerer

    Abbotsford Convent 1 St Heliers St, Abbotsford, VIC, Australia
    The culimination of a three-year residency at ANAM, ELISION Ensemble returns with a program that captures the precision, intensity and imagination that define their work. Recognised as Australia’s leading new music ensemble, ELISION unites musicians based across Europe, the United States and Australia, known for their technical mastery and commitment…

    ELISION Ensemble: Silent Noise

    Abbotsford Convent 1 St Heliers St, Abbotsford, VIC, Australia
    ELISION’s three-year partnership with ANAM has become a meeting point between generations of performers who share a drive to explore new forms of musical expression. At the centre of Silent Noise is Helmut Lachenmann’s Mouvement (– vor der Erstarrung) (1982–84), a work that transforms the smallest gestures into sound —…