Review: Lieder: Berg, Schumann, Wolf, Shostakovich, Brahms (Matthias Goerne, Daniil Trifonov)
No less than all of human existence is mined in this weighty song-recital.
Alexandra Coghlan is the classical music critic for the New Statesman, and also writes for The Independent, The Times, Opera, Prospect, Gramophone and The Monthly. She was formerly performing arts editor at Time Out Sydney and editor of Sinfini.
No less than all of human existence is mined in this weighty song-recital.
Four sopranos, two rivals, one intriguing new recording.
Half-truths are rendered in sonic half-light in this evocative new account from Roth and Les Siecles
This collection of Bach cantatas reunites an award-winning team to dazzling effect.
Sex and seriousness collide in an intoxicating album from France's leading young mezzo.
In Lea Dessandre, baroque's next star has already risen.
A musical entente cordiale in songs by Britten and Canteloube.
An outstanding new recital by a mezzo who has rarely sounded better.
A monumental performance from this stellar ensemble.
A delicious musical medley that leaves you hungry for more.
Drinking songs, but not as you know them.
A Rossini showcase puts on a display Dulcamara would be proud of.
Think you know Pergolesi's Stabat Mater? Think again.