An intimate, personal and human love-song to the music of Philip Glass.

Pietari Inkinen launches the Symphony Hour series – and makes his SSO debut – with a thrilling Rite.

Soprano and composer Deborah Cheetham is one of a number of exciting appointments at the Sir Zelman Cowen School of Music, which, as Head of School Professor Cat Hope explains, is looking to the future of music in Australia.

Stellar trio illuminate Tchaikovsky and more.

Ahead of upcoming performances with her father, Japanese composer and conductor Joe Hisaishi, the singer tells us about her big break as a four-year-old singing on the soundtrack to the iconic Studio Ghibli film Nausicaä of the Valley of the Wind.

The feline fan stole the show when it took the stage during a CRR Symphony Orchestra concert in Istanbul.

We speak to Chris English, who has been appointed Foundation Principal of the new independent primary school in Muswellbrook tailored around Richard Gill's educational philosophy.

The number of Australians engaging with the arts while exploring their own country is growing, a study by the Australia Council for the Arts has found.

Artistic Director Chris Howlett explains how the six-concert 3MBS Beethoven Marathon will show the softer side of the famously irascible composer.

The Australian Haydn Ensemble's 2020 is off to a racing start.

The Tasmanian Symphony Orchestra’s new Chief Conductor tells Angus McPherson about growing up in Bergen, swapping the concertmaster’s chair for the podium, and his connection with the music of Brahms.

Businesses might be closed and the streets empty in China’s biggest city, but the music isn’t stopping, as Shanghai Symphony Orchestra musicians share videos of performances at home with their families.