Angus McPherson is a writer, editor and digital content specialist. He is a former Deputy Editor of Limelight and has written for BBC Music Magazine, RealTime Arts and CutCommon. A flute player by training, he holds a PhD in Music.
Fresh from representing Australia at the Tchaikovsky Competition in Russia, the Sydney flute player returned home to take out first place in the Festival's Open Flute Competition.
Violinist Vadim Gluzman and conductor Xian Zhang deliver high drama with the SSO.
Omega Ensemble’s American Masters more than lives up to the hype.
The company will bring back the Francesca Zambello production that launched Handa Opera on Sydney Harbour in 2012.
The overhauled process will see funding recommendations made by Artform Assessment Boards chosen by the Arts Minister, in a move that has sparked heated debate in the industry.
Hannah Fox and Gideon Obarzanek will lead the yet-to-be-named new festival, which will merge White Night and the Melbourne International Arts Festival.
Karah Son’s Butterfly soars in Graeme Murphy’s dizzying new bondage-inspired production.
A reflective Lang Lang marks his return to Australia with Mozart.
The awards have renamed the Award for Distinguished Services to Australian Music in memory of the late music educator and conductor.
In the 2019-2020 seasons of 15 of the world’s top orchestras, only 3.6 percent of music was written by women, according to soprano Gabriella Di Laccio's DONNE, Women in Music project.
The journalist and critic has been recognised for her piece on rebalancing gender disparity in the Australian theatre industry for ABC Arts.
Australian String Quartet violist Stephen King on making music part of everyday culture, playing in the dark, and the acoustic properties of a skateboard half pipe.
The Chinese pipa virtuoso talks to Limelight about playing with Yo-Yo Ma for the Clintons, working with composers Tan Dun and Ye Xiaogang, and collaborating across musical cultures.
