From hallucinations to the awakening brain, Australian composer Carl Vine tells us how images from neuroscience have become interwoven with his music ahead of the premiere of his new symphony.

Ahead of his Australian performance with the Zurich Chamber Orchestra, the violinist talks about learning at the feet of Yehudi Menuhin and pranking Rostropovich.

The Metropolitan Orchestra's Chief tells us about Shostakovich's uncharacteristically cheerful Second Piano Concerto ahead of TMO's all-Russian concert.

The composer and clarinettist tells us about his love of dark operas, transcribing butcherbirds, and how he left home with his bags unpacked.

One of Sydney's most exciting young orchestras, Ensemble Apex brings a party atmosphere to Sydney's Lower Town Hall.

ARCO gets Romantic in a program spanning Mendelssohn to Puccini.

Melody Eötvös will join five other composers whose works will be read and recorded by The Philadelphia Orchestra in September.

Richard Tognetti tells us about a wide-ranging season, at the centre of which is the return of Bill Henson's Luminous.

QSO Music Director Alondra de la Parra talks to Limelight about a 2019 full of contrasts.

Nicholas Milton's 2019 season with Canberra Symphony Orchestra spans classic masterworks to new Australian music.

David Greco sings Death's many faces alongside a young person's Winterreise.

Blundell finds a lost musical home where the buffalo roam.