Julian Day wins 2017 APRA Professional Development Award
The composer, artist, writer and broadcaster has won the Classical section in this year’s awards, taking home a $15,000 prize.
Angus McPherson is a writer, editor and digital content specialist. He is a former Deputy Editor of Limelight and has written for BBC Music Magazine, RealTime Arts and CutCommon. A flute player by training, he holds a PhD in Music.
The composer, artist, writer and broadcaster has won the Classical section in this year’s awards, taking home a $15,000 prize.
The principal clarinettist of the Vienna Philharmonic, and father to a clarinet dynasty, has died unexpectedly at age 62. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Recorded live in Sydney’s City Recital Hall last year, this disc takes the listener from the beautifully spare, intertwining lines of JS Bach’s The Art of Fugue to the lush complexity of Beethoven’s Opus 130 Quartet. Tognetti and the ACO merely dip their toes into Bach’s contrapuntal water, offering the first four movements of the collection as a kind of musical primer for the Beethoven. The first Contrapunctus presents Bach’s subject before it’s accompanied by lively dotted rhythms in the second and inverted in the third, the ACO’s weaving voices lilting conversationally. The fourth Contrapunctus is all pizzicato, a motif from the subject’s tail brought to soft, haunting life by the voices of the instrumentalists – a quirky touch that, while effective, might scare off traditionalists. From the clean lines of the Bach, the ACO blossoms into the warmer – if no less cerebral – textures of Beethoven’s String Quartet in B Flat, the orchestra off-leash in the first movement, singing in the lyrical moments. The Presto is taken at a gallop while the Alla Danza Tedesca: Allegro Assai has a sweet naivety. The Cavatina throbs with expression before the climax: the Große Fuge, which the ACO attacks with vigorous…
Jonathan Henderson will premiere the Australian composer’s new work with the Brisbane Philharmonic Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The famous virtuoso violinist suffered ill-health all his life, but his troubles didn’t end with his death.
Sam Strong has two horses – and divided loyalties – in the race for Best Play at this year’s Helpmann Awards.
More than 500 cases of physical violence and 67 cases of sexual abuse have been revealed between 1945 and the early 90s.
The award-winning artist will recreate Hogarth’s The Enraged Musician to the sounds of the Australian Art Quartet. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Century-old original hand-written manuscripts have been discovered in the Bay of Plenty Symphonia’s library.
Elisa Tomellini played a concert at an altitude of 4,460 metres on Monte Rosa in the Pennine Alps.
Three fine players, three distinctive compositional voices.
A contemporary opera in Yorkshire, with music by Russell Sarre, sees two rival ice cream vending families face off.
Flautist Naomi Johnson and composer Connor D’Netto are fellows at this year’s Summer Festival for new music.