Review: Dance review: Interplay (Sydney Dance Company)
Diverse triple bill showcases the breath-taking range and versatility of Bonachela’s baby. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Diverse triple bill showcases the breath-taking range and versatility of Bonachela’s baby. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Incoming Chief Conductor of the Munich Phil comes under attack for his support of Putin on Crimea. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Rob Davidson's setting of "that speech" might just go viral thanks to Gordon Hamilton and Australian Voices.
Young tenor wins place at the Royal Opera but first needs to raise some dough: enter Matthews, Carbó and Humble.
Leading Russian musicians criticised for signing up to President’s hardline stance on Ukraine. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Handa Opera unveils La Fura dels Baus’ spectacular visual plans for Puccini’s classic. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Leading light of the Australian Ballet since 1991 will take her final curtain call in 2014. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Tectonics curator talks about who’s on his bill of fare and why contemporary music matters. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Russian coloratura is making her Australian debut at Hobart Baroque, but how did she get here from there? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In a game of two halves, spanning two centuries and using eight instruments, it was the Crumb that won.
The triple-threat violinist is fluent in French, English and Japanese but is most proficient speaking ‘music’. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Feeling snubbed, the RCO’s Honorary Conductor wants nothing more to do with the orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Manuela Hoelterhoff suggests the Met finds another Music Director to make the experience more “pleasant”. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in