Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
Mark Haddon was approached umpteen times for permission to adapt his best-selling novel for the stage. We find out why Simon Stephens’ "heart of flint" made him the perfect fit for the job.
★★★★½ Neumeier’s endlessly absorbing dance-drama worships the god of dance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Past a certain age, we expect most dancers to retire. But should we be putting these experienced talents out to pasture?
