Art Gallery of NSW announces its 2020 program
The summer exhibition for next year will be a major, Sydney-exclusive Matisse exhibition from the Centre Pompidou in Paris.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
The summer exhibition for next year will be a major, Sydney-exclusive Matisse exhibition from the Centre Pompidou in Paris.
Alumni, company members and audiences join forces to share memories in Us 50.
The much-loved jazz trumpeter is performing on the 2019 BRAVO Cruise of the Performing Arts alongside the likes of Bryn Terfel and Melinda Schneider.
A powerful musical with a serious political message, that is joyously uplifting and entertaining at the same time.
The versatile singer/songwriter is about to tour her new album of Australian art songs with the Australian String Quartet. She tells Jo Litson about the project, and why it’s so important to her.
Dean Bryant and Mathew Frank have joined forces on a musical adaptation of Miles Franklin's legendary book. Bryant tells us about the show.
Mitchell Butel reveals his inaugural program as AD, with plays that he hopes will make headlines, open the door to a more diverse group of actors, provoke and entertain.
The recipient of the 2020 German-Australian Opera Grant talks about breaking into the industry, finding success on the competition circuit, and tackling singspiel.
The actor decided to make a documentary about mental health in the entertainment industry, screening on ABC, after his own struggles with depression.
Cirque du Soleil is at the top of its game with this dazzling show, in a mysterious steampunk setting.
A special evening with a gracious, classy, legendary performer.
There's some fabulously funny satire in this flashier than usual production, though not everything fires.
David McAllister’s final program as Artistic Director includes three new full-length ballets, including Anna Karenina, and a new short work by Alice Topp.