Nicholas Carter couldn’t be happier with the way the ASO has nurtured and developed his career. But as he tells Jo Litson, with a new position in Austria, and other exciting international offers in his calendar, it’s time to put down the baton as Adelaide’s Principal Conductor.

Trevor Ashley tells us about the new Sydney Cabaret Festival, and the artists and events he’s programmed, including star act Jennifer Holliday.

This new Australian musical has a great subject and two terrific performances but it spends too much time just telling us things.

In 1989, Lyn Williams founded the Sydney Children’s Choir, now part of the national Gondwana Choirs. She tells Jo Litson about the excitement of developing an essentially new genre in Australia, and of celebrating the 30th anniversary with the Gondwana World Choral Festival.

This triple bill to celebrate the company's 30th anniversary includes past Bangarra works and Stamping Ground by Jiří Kylián.

Andrew Bovell's wonderful, compassionate play about family is staged with a beautiful simplicity and clarity.

A magnificent performance by Anthony Warlow in the title role is the unforgettable highlight in a lacklustre production.

Anthony Warlow tells Jo Litson that he has refound his theatre mojo in the demanding role of the Demon Barber of Fleet Street.

The celebrated bass-baritone tells us about his forthcoming Australian concerts, his first cruise, his new opera roles, and why he won’t be bringing his Welsh Rugby Union jumper on his trip Down Under.

The esteemed Irish pianist and educator is the Jury Chair of the Lev Vlassenko Piano Competition in Queensland. He offers words of advice to young musicians.

The company is to present a fully digital, 21st-century staging of Wagner’s epic tetralogy in Brisbane in 2020, directed by Chen Shi-Zheng.

The Australian Chamber Choir is exploring a new concept in its latest concert, which it is performing in Australia and around Europe.