Melbourne Festival 2017 programme announced
Jonathan Holloway looks to “the bigger picture” with Taylor Mac, Under Siege and a Requiem for Cambodia on the bill.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Jonathan Holloway looks to “the bigger picture” with Taylor Mac, Under Siege and a Requiem for Cambodia on the bill.
Barrie Kosky's Saul and Leah Purcell's The Drover's Wife win big at this year's awards for live performance in Australia.
The AGNSW has announced 43 finalists including two of John Bell, while a Lisa Wilkinson portrait wins Packing Room Prize. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Director Anne-Louise Sarks has reshaped Shakespeare’s dark comedy, The Merchant of Venice, for today’s audience. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The self-confessed workaholic talks about her career, her Parsifal nightmares, and why she will only stay in a hotel with a pool.
A stunning production of Caryl Churchill's thrillingly inventive, shape-shifting play.
Limelight grills the playwright about his first play, which is about to have its world premiere at Sydney Theatre Company. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Entries for the 2017 Archibald Prize are flooding into the Art Gallery of NSW as artists face off in the popular portrait prize.
Staff at Monkton Combe School in the UK, led by Principal Chris Wheeler, surprise school-leavers with One Day More.
Julian Day and Katy Abbott are among the 40 songwriters and composers named as finalists for this year’s $15,000 Awards.
Ireland’s CoisCéim Dance Theatre is in Australia with a playful, contemporary reimagining of Peter and the Wolf. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A bold, adventurous ballet by Wayne McGregor that's thrilling and heartbreaking in equal measure.
Elise McCann’s album Dahlesque, released by ABC Music, features the songs from her new cabaret show of the same name, which premiered to rave reviews at the Adelaide Cabaret Festival. Dahlesque comprises a selection of music inspired by the gloriously irreverent, darkly funny stories of children’s author Roald Dahl including numbers from the film Willie Wonka and the Chocolate Factory, and the musicals Matilda The Musical, Charlie and the Chocolate Factory, and James and the Giant Peach. It’s a clever idea, and spins off the fact that McCann recently played Miss Honey in the Australian production of Matilda The Musical, winning both a Sydney Theatre Award and a Helpmann Award for her touching portrayal. The warmth and glow that McCann has as a stage performer shines through on the album. She has a lovely pure, true voice with a honeyed tone in her middle register, an effortless belt, and top notes that send ripples down the spine. It’s also a voice with real character. Her diction is impeccable and she connects with the lyric, which makes her a great storyteller in song – altogether a consummate musical theatre voice. Accompanied here by a nine-piece band under the musical direction of…