Review: John Cameron Mitchell: The Origin of Love (Adelaide Cabaret Festival)
A 'middling' cultural icon presenting songs from his 'middling smash' brought the house down.
A 'middling' cultural icon presenting songs from his 'middling smash' brought the house down.
With the help of a sparkling misfit ensemble, Charly Zastrau and Ali McGregor have created a seamless, incisive tribute to the American singer-songwriter.
Sydney underbelly and Adelaide jazz songstress/composer were an almost perfect match.
Only Lea Delaria can seamlessly interpose gentle intelligent lounge jazz with candid sexuality.
Get her while you can, don't turn your back on love.
A well constructed less-is-more cabaret homage to 'the Princess'.
A tasty, pleasant, Sunday afternoon chocolate box of classical, blues and ragtime piano.
So spiritual that it could have shaken the most ardent of atheists.
The man behind the piano now stands on top.
Kamikaze cabaret that didn't quite hit the target.
A bittersweet but nourishing slice of the finest cabaret.
Reeves stands masterfully in Ella Fitzgerald's shoes.
The American guitarist's unique interpretations of film and television themes prove intoxicatingly nostalgic.