Review: Minnie & Liraz (Melbourne Theatre Company)
Lally Katz’s laugh-out-loud peek inside a retirement village reveals how regret, ambition and the funny side of life never grow old.
May 19, 2017
Patricia Maunder
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
Articles by Patricia Maunder
Review: Three Little Words (Melbourne Theatre Company)
Joanna Murray-Smith’s comedy-drama drops a bomb on comfortable coupled life.
April 24, 2017
Review: Lord of the Flies (Matthew Bourne’s New Adventures & Re:Bourne)
Young dancers, both amateur and professional, deliver an exciting interpretation of William Golding’s novel.
April 6, 2017
Review: Passion, Lament, Glory (Melbourne Conservatorium)
Baroque sacred music gets a theatrical makeover in a bold outing by the Melbourne Con.
April 5, 2017
Review: The Homosexuals, or ‘Faggots’ (Malthouse Theatre)
Declan Greene's queer farce gets audiences laughing hard and thinking even harder.
February 22, 2017