Review: Reflections: Arseny Tarasevich-Nikolaev
A polished debut and one that’s keeping it firmly in the family.
Phillip Scott is a long-time reviewer for Limelight and US music journal Fanfare. He has written four novels and the scores of several children’s shows for Monkey Baa Theatre Company. He is best known for his work as performer, writer and Musical Director for The Wharf Revue.
A polished debut and one that’s keeping it firmly in the family.
A triumphant debut from a brilliant young pianist.
Wynton Marsalis and David Robertson deliver a special concert, and not the kind of program we hear often.
Several tastes of Holst, both before and after The Planets.
A well thought-out program, spanning 100 years from Janáček to Reich.
A young Yuja Wang, Budapest’s first Beethoven, and Liszt tops the list.
The legendary cellist’s Strauss with Adrian Boult gets a reissue on vinyl.
All trumpet and drums, but taken to a rather higher level.
The best Bernstein since Lenny himself, and arguably even better.
A substantial main course followed by a sugary dessert.
Northey is a winner with his West Australian Side Story.
Ormandy’s Bluebeard rides again, plus Edo, Martin and Maurane on Eloquence.
A neglected figure receives committed advocacy.