With the beloved Paris landmark set to reopen in December, Olivier Latry recalls the inferno that nearly claimed the cathedral's magnificent organ.

Madeleine Easton cherry-picks choice selections in an engaging exploration of the incomparable composer's brilliance.

Henry Purcell’s pocket opera Dido and Aeneas is a work ripe for reconstruction.

The ABO’s core musicians step out to showcase their soloistic skills with dazzling displays of technique.

Audience and performers happily ‘under the influence’ during this entertaining soiree of Baroque morsels.

What makes a child prodigy ? We talk with some former Wunderkinds and artistic directors about how to nurture musically gifted children.

J.S. Bach's work as a teacher and mentor is spot lit in Bach Akademie Australia's season opening concert for 2024.

An eclectic, affecting program of unaccompanied music inspired by centuries of romantic pain and loss.

Superbloom is a sterling test of ensemble skill, versatility and musicianship – and of the listener's appetite for challenge.

In-concert operas are sometimes regarded as the poor relation of their fully staged cousins. But can less be more?

Baroque is back at the Sydney Opera House in the form of Handel's pungent tale of religious intolerance and sacrifice in a polarised society.

Pinchgut's superlative specialist cast of singers polish Handel's 1715 hit to a dazzling shine.