Omega gets wired for sound for a contemporary walk on the wild side.

A big bang bonanza and a uniquely emotional journey through Holst's suite.

Nowadays, audiences go to the ballet or to symphony concerts, but it wasn’t always that way.

Time-honoured Sydney Symphony debut for Recorder Queen Genevieve Lacey.

Pinchas Zukerman shows that sometimes, five stars are just not enough.

Two Russian masterpieces where the composers win against the odds.

Percussion supremo Claire Edwardes reaches a watershed moment.

More family favourites from Paul Dyer and the Brandies – this time with splendid voices.

Hammer time: Donald Runnicles carves Mahler’s mighty Tragic masterpiece.

Anna Lapwood’s cinematic sweep marries the majestic grand organ with elite orchestra.

“Violinist’s violinist,” Ilya Gringolts shows Satanic majesty as he takes on the Devil.

Sydney Chamber Choir’s association with this work has always been strong. Under Sam Allchurch's direction, it grows even deeper.