Review: Concord of Sweet Sounds (Salut! Baroque)
Inspired by Shakespeare, Salut! Baroque proves that music is the food of love.
Steve Moffatt’s earliest musical memories are of his father’s dubious tenor accompanying 78s of Gigli and Björling. As a local newspaper reporter in London, he covered Jimi Hendrix’s inquest. Now retired, he reviews concerts for Limelight and NewsLocal newspapers, where he worked as production editor.
Inspired by Shakespeare, Salut! Baroque proves that music is the food of love.
Pianist-lawyer Wee plans his flag firmly atop Beethoven’s Himalayan peaks.
Jazzman Phillip Johnstone focuses on a rich and fascinating silent movie era older than Hollywood.
A powerful and beautiful tribute to the victims of a war Australia won’t talk about.
The spirit of Benny Goodman shines on as Omega Ensemble sees the year out with plenty of swing.
Joy unconfined as Simone Young brings SSO’s season to a spectacular close.
Hardanger fiddle and evocative special effects have this audience pining for the fjords.
Thank Mr Painter for 50 years of cutting-edge adventure in chamber music.
Albanian diva shows two sides of the Euro in Donizetti double.
A box set binge of Bach as Madeleine Easton’s Akademie takes on all six Brandenburgs.
Plenty to sing about as Salut! winds up its 30th-anniversary season with a celebration of the human voice.
A voice for the generations, Samara Joy shows us what all the fuss is about.
Bill Frisell brings a symphonic sweep to a spellbinding masterclass with his telepathic trio.