Review: Handel’s House (Australian Brandenburg Orchestra)
Debut by Tokyo diva Yukie Sato wins hearts and minds of the Brandenburg audience.
Steve Moffatt’s earliest musical memories are of his father’s dubious tenor accompanying 78s of Gigli and Björling. As a local newspaper reporter in London, he covered Jimi Hendrix’s inquest. Now retired, he reviews concerts for Limelight and NewsLocal newspapers, where he worked as production editor.
Debut by Tokyo diva Yukie Sato wins hearts and minds of the Brandenburg audience.
Episode One of works by Melbourne composer Linda Kouvaras is a tasty teaser.
Trio Gaspard bring an earthy joyful spirit to Haydn and serve up some very tasty goulash for afters.
Atmosphere aplenty as Sydney Philharmonia Choirs take the audience by storm – literally.
More magical mastery as Augustin Hadelich returns for a second, very different, concert with the SSO.
Violin star Augustin Hadelich takes us there and beyond while Simone Young’s magisterial Bruckner juggernaut proves overwhelming.
Tchaikovsky’s “terrifying despair” and some cello to die for in SSO's Russian double blockbuster.
Omega Ensemble embraces the extraordinary in an exciting concert of firsts.
Team Spain bring some gold-winning magic to an afternoon of Beethoven.
Billed as a special event, Paul Grabowsky’s collaborative debut with the SSO lived up to the hype – and then some.
Australian-Sierra Leonean pianist celebrates childhood scenes from four continents.
Magnifique! Harpsichord star Justin Taylor sets the stage ablaze with Bach to the power of four.
Erin Helyard and the SSO show that Mr Handel’s Water Music still floats everybody’s boat 400 years on.