Review: Josquin, the Undead: Laments, deplorations and dances of death (Graindelavoix, Björn Schmelzer)
Love it or hate it: this is probably the strangest Josquin disc you’ll ever hear.
Tony Way is a director of music at Melbourne’s historic St Francis’ Church. Holding a masters degree in music, he is an organist and choir director as well as a published composer. He has been reviewing classical music for over two decades.
Love it or hate it: this is probably the strangest Josquin disc you’ll ever hear.
This dazzling debut from Jeanine de Bique will have you wanting more.
The breakdancing Polish countertenor delights in a program of rediscovered gems.
Savall’s homage to Haydn is only the sum of its often elegant parts.
Compelling performances from Messiaen master, Kent Nagano.
Purcell’s royal odes given elegance, polish and wit from The King’s Consort.
This flying squadron of musicians lifts the reputation of a German in Rome
A choir to watch presents an engaging Anglo-American program.
Engaging Sydney singers widen our knowledge of Renaissance polyphony.
Distinctive intersection of ancient and modern provides rewarding musical encounter.
Savall’s distinctive approach to Victoria’s Holy Week music brings fresh insights.
Another rich selection of Purcell’s stylish music stylishly performed.
A wonderfully appealing blend of music from the Old World and the New.