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Two world premieres, Mozart, and Shostakovich's hilarious operetta feature in Richard Mills' swansong season.

The great Australian pianist on returning to his Chatswood roots and a lifetime of experience.

From Adams and Crumb to Boulez and Björk, there's new music galore with 67 musicians acing 180 events in ANAM's 2023 season. When pressed, AD Paavali Jumppanen adds his top 5 picks.

The Met's General Manager on season details, the slow return of audiences, new music that does "the shocking thing of pleasing audiences" and the Netrebko dilemma.

The founder of London’s Chineke! Orchestra explains her passion for a Black British musical icon, whose music, she believes, should be much better known.

Phillip Scott explores Heitor Villa-Lobos’s string quartets and Diaghilev’s musical legacy.

Returning giants, like Garrick Ohlsson, rub shoulders with fresh young talent and artists like Cédric Tiberghien and Jean-Guihen Queyras.

Ahead of their 10th Australian tour, the Tallis Scholars founder illuminates the murky world of Renaissance art and politics.

Robert Carsen’s chilling update ditches pyramids for resonances of modern warfare. Catch his ROH production when it screens in Australian cinemas in November.

Bertrand Chamayou talks to Clive Paget about a nine-year-old’s encounter with modern music and how to make bells sound like bells.

Some have suggested John Adams' new opera is too conventional, but Clive Paget disagrees, finding that age cannot wither the composer as he takes on Shakespeare's Egyptian dish.