Press Play on a Musical Career
Co-curator Amy McNickle illuminates the ideas behind this year's High Score, a conference connecting musicians and the gaming industry.
Co-curator Amy McNickle illuminates the ideas behind this year's High Score, a conference connecting musicians and the gaming industry.
The Sydney venue’s latest jam-packed lineup follows through on its promise to place "a stronger focus on Australian arts”.
With a spectacular world premiere, Backstage Music show an unmatched, unwavering commitment to accessibility in the arts.
Composers Elena Kats-Chernin, Elliott Gyger, Cheryl Durongpisitkul and Mindy Meng Wang among this year's finalists.
A perfectly-programmed day of pure experimental fun is a lovely tonic of trial-and-error for musicians and audiences alike.
Eric Carmen took Rach's Symphony No. 2 and made it rock – albeit very softly.
The latest Festival offering from the music box project is a meeting point for music playful, exploratory and collaborative.
The second outing of Brisbane Powerhouse’s ΩHM Festival of Other Music marks Queensland as an international player in left-field, contemporary arts.
Ahead of his Australian tour, the Canadian electronic musician talks his live setup and the philosophy behind his music.
For Dots+Loops’ Playback, the post-genre arts series gave its alumni artists totally free rein. What does that look like?
Generative AI is exerting a profound influence on the way we make, record and experience music. Limelight readers, it’s time to get up to speed.
Mesmerising stagecraft, sublime lighting and stunning orchestrations represent a towering technical achievement despite an overladen script.
A life and music-changing encounter with an electrifying force of nature inspires a new work from cellist-composer Zoë Barry.