In one of the more notable real estate deals of the year, the German composer has purchased the BBC’s Maida Vale Studios in London.

KLASSIK underground founder Tahlia Petrosian believes that a broader approach to classical music sows the seeds for a thriving future.

ABC to shed dedicated arts journalists in widely condemned restructure announced this week.

Posters, photographs and archival material celebrate a half-century of performance in the building that put Sydney on the global stage.

Echoing the Baroque, the classical and the conceptually-driven works of Rachmaninov, Nicholas Britell's Succession score is one for the ages.

Three new categories increases this year's number of finalists to 56, all in the running for a cash prize of $10,000.

Eleven Australian and New Zealand composers have each received a grant of $7,500 for the commissioning of new proposed works.

As the Australian Chamber Orchestra prepares to explore it, we examine the groundbreaking music of Wendy Carlos and her trailblazing career.

A wide-ranging program perfectly in tune with its gorgeous natural surroundings made for a breathtaking Festival that even won over the weather.

What is a KeyScanner? Pianist and technophile Zubin Kanga show us how it works and how it's used in his latest piece from his London lab.

Percussionist Louise Devenish explains how oystershell and underwater video feature in a project exploring the history of Australian rivers.

Ahead of a Sydney Festival performance, Matthias Schack-Arnott talks about opening up John Cage’s Sonatas and Interludes.