Musica Viva announces 2018-2019 FutureMakers
Pianist Aura Go and percussionist Matthias Schack-Arnott to follow Arcadia Winds as the next musicians in the two-year FutureMakers program.
April 4, 2018
Bertrand Chamayou: Debussy is best with friends
The French pianist's new Debussy disc is Limelight's Recording of the Month in April.
April 3, 2018
Review: Four Winds Easter Festival (House Concert 3, Sound Shell Sunday)
An excellent festival with an exciting vision for the future.
April 3, 2018
The Limelight Chart: April 2018
The Orava Quartet's debut album on Deutsche Grammophon tops The Limelight Chart – our monthly list of Australia’s best-selling classical music albums.
April 1, 2018
Review: La Sonate de Vinteuil (Maria Milstein, Nathalia Milstein)
The Milstein sisters find plenty of gold in search of a musical mystery.
March 27, 2018
Review: Prokofiev • Shostakovich (Catherine Hewgill, Vladimir Ashkenazy)
Coded messages pepper the sonatas of a pair of Soviet giants.
March 27, 2018
Review: Trio Sisu (GatherNYC, Manhattan)
Impressive Aussie/American led concert series proves music can be a religion.
March 27, 2018
Review: Hahn (Leslie Howard, Mattia Ometto)
Howard and Ometto bring the curtain up on the Belle Époque.
March 26, 2018
Review: Wollschleger: Soft Aberration
Imaginative intricacies reveal a voice worth getting to know.
March 25, 2018
Damian Barbeler: Revisiting Eucalyptus
Two decades after Murray Bail’s novel, Damian Barbeler has a work that harnesses the beauty and variety of Eucalyptus trees.
March 23, 2018
Review: The Cello in Wartime (Steven Isserlis, Connie Shih)
A WWI artefact offers a song of sanity in a world gone mad.
March 22, 2018
Review: Hark the Machine (Ensemble Offspring)
From Gosfield’s spiky cactus needles to Lang’s hard-edged swagger, this was a cracking start to Ensemble Offspring’s 2018.
March 21, 2018
Review: The Balanescu Quartet Retrospective (Adelaide Festival)
A colourful and energetic journey through the Quartet's musical worlds.
March 14, 2018