Three women, three styles, three winners.

Cellist Camilla Tafra explains how she and a group of musicians are weaving French baroque music into a tale about gods, mortals, demons and nymphs.

Discover our readers' and critics' favourite artists of 2019, learn about Beethoven's final tempestuous year, and celebrate Musica Viva as it turns 75.

Performances with a deep sense of purpose, if light on the humour.

Artistic Director Ben Opie explains why there's more than ever to explore at the 2020 Peninsula Summer Music Festival.

Bianca Gannon discusses her love of gamelan, ostinati, the optimism in her music, and what she will compose with the prize.

New, but not shocking: ACO Collective champions Muhly’s new concerto.

In his new wind quintet for the Omega Ensemble, Russian-Canadian composer Airat Ichmouratov tells his story.

Sharon Grigoryan has curated a series of chamber music performances in the Adelaide Festival Centre’s Quartet Bar. She tells us what to expect.

In Baltimore, if music be the food of love, play on indeed!

Lesser-known works get sparkling treatment.

Revived sonatas thrill, but what a pity there’s no more.