Review: The Four Elements (Brooklyn Rider)
Proclaiming “no allegiance to either end of the historical spectrum,” Brooklyn Rider's post-genre approach found an appreciative Melbourne audience.
Proclaiming “no allegiance to either end of the historical spectrum,” Brooklyn Rider's post-genre approach found an appreciative Melbourne audience.
Latitude 37 and a bespoke string sextet make for a concert filled with hope, promise and transfiguration.
A transfixed audience in the Primrose Potter Salon was treated to music from across cultures in the 3MBS Marathon’s fourth concert.
Ridout celebrates the great Lionel Tertis and all things viola.
Anna Dowsley slays in this drolly amusing – if a little confusing – showcase of songs by the American composer William Bolcom.
Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.
If audience reaction to this concert is anything to go by, Omega Ensemble is well on its way to cementing a whole new fanbase.
An intimate program of string quartets by Haydn, Mozart and Mendelssohn expertly played by AHE in foursome mode.
Fours Winds suspends its traditional Easter weekend festival in favour of a diverse, all-year program of concerts and events.
Rebecca Bracewell, Vanessa Perica and Ninajirachi among this year's recipients, earning a $10,000 cash prize.
Powerful and diverse stories shared with passion, charisma and courage, in a safe and welcoming space.
Schumann sings on superbly employed period instruments.
Cameron Lam celebrates a kaleidoscope of colours across Classical, Jazz and Sound Art in this month’s Australian Art Music playlist.