What do our small to medium ensemble have on offer in the year ahead?

From purchasing a few bars of music to making a multi-million-dollar donation, we explore the different ways that philanthropy can help transform our cultural life.

Fascinated by complex musical ideas, Jack Symonds never wants to make work that resembles anything else – whether he’s programming it or writing it himself.

This month, Meyerbeer gets his just desserts, it’s Elgar, Jim, but not as we know it, and is this the best Mahler Five ever?

Linda May Han Oh’s Ephemeral Echoes explores the nature of transience and time, and brings the composer home to Perth for its world premiere.

The original scores tell you how early music should be played, says Jordi Savall.

Helen Svoboda and Katie Yap will participate in the two-year program for emerging chamber music leaders, which supports the development of a performance project.

While some of its notes missed their mark, River City Voices showcased a bold approach that was refreshing to see.

Almost all that glitters really is gold in Isserlis’s cello recital.

Cameron Lam looks back at a year of releases in this Australian Art Music playlist, a 2022 retrospective.

Led by guest director and harpsichordist Chad Kelly, this celebration of the music of CPE Bach was a fine way to round out the Australian Haydn Ensemble’s 10th anniversary season.

Co-Artistic Directors Trish and Paul Dean have created a fascinating season, in which each of the three programs has a strong theme, with visual elements enhancing the experience.