As the Edinburgh International Festival celebrates its 75th anniversary alongside the concurrent Edinburgh Fringe, it hosts the largest contingent of Australian artists in its history.

Pianist Coady Green asked Linda Kouvaras to compose a work about a little-known location in Melbourne; he discusses the piece that eventuated.

The principal cellist of Adelaide Symphony Orchestra will commence his new role in 2023, taking over from pianist Anna Goldsworthy.

This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.

The AFCM’s Festival Finale was a fitting conclusion to the festival, with a pot-pourri of diverse musical pieces to suit all tastes.

An eclectic and quirky mix of musical gems and songs from film scores, offering both serious and light-hearted works, with many delightful moments.

The program’s promise of ‘music out of the blue’ delivered an overwhelmingly melancholic view of the beauty of music, inspired by the power of the oceans.

A beautifully realised Baroque program with two stunning oboe concertos.

The Kanneh-Mason family are a must-see – and you could well be part of musical history-in-the-making by being there.

Baroque music is far from being "all the same", as some believe, says Sally Melhuish, who writes here about the new styles and genres in Spanish Baroque music.

Clinton White reports from this year's Australian Festival of Chamber Music in Townsville, and talks with AD Jack Liebeck and culinary icon Maggie Beer.

One of Australia’s foremost violin pedagogues, who was a founding member of the ACO, has died at the age of 75, leaving behind a formidable legacy.