With music performed by Elena Kats-Chernin, Sydney Philharmonia Choirs and Taiko drummers, choreographer Paulina Quinteros has fashioned a genre-defying display that deserves more than one viewing.
Pianist Jonathan Biss demonstrates dignified introspection in a fine Beethoven concert that also features the Australian premiere of Brett Dean's Gneixendorf Music, a Winter’s Journey.
The Aussie-born barrister-pianist continues to make a case for your attention.
This extraordinary program includes selections from the Changi Songbook, providing the right balance of light relief and ethereal beauty in contrast to the heavier themes explored.
Applicants for the 2023 Prize are asked to submit a work for solo oboe, which will be developed in collaboration with oboist Ben Opie.
ACO Underground now has its own band, whose genre-bending gigs include everything from their own punk tunes to Nick Drake and Bach.
The Artistic Director of Taikoz and Percussion Australia, Ian Cleworth, explains how Taikoz has a set of taiko drums custom-made by the venerated Asano family – who keep the secret to the Asano sound shrouded in mystery.
The Nielson Foundation, UKARIA Founder Ulrike Klein and Biennale of Sydney CEO Barbara Moore are among those recognised for their philanthropic support of Australian theatre, music and the visual arts.
The world-famous cellist becomes the first instrumentalist to be honoured with classical music's richest prize.
The NSW-based pianist takes away the $27,000 first prize alongside special prizes, while floodwater laps at the feet of Shepparton.
Double vision in Ólafsson’s spellbinding recital mirrored by two pianos.
The winner of the 2021 Sydney International Piano Competition takes the audience by storm in the Melbourne recital that begins his wide-reaching national tour.
Kind of Light is perhaps yet to hit its stride, but this evening of experimental music was still a great night out and an exciting sign of things to come.
