In the fourth and final concert of its Beethoven series, the ASO gave committed and virtuosic performances of the 8th and 9th Symphonies under Douglas Boyd.

The young Australian clarinettist talks about his incredible victory and his upcoming performance with the Willoughby Symphony Orchestra of his commission for Alice Chance.

Artistic Director Katie Yap presents a crucial path forward for the cultivation of new audiences of Western art music in Australia, as well as providing a much-needed platform for women composers.

After a 22-year tenure as Concertmaster, Warwick Adeney will step down from the role to pursue teaching and music-making more broadly.

Nature or nurture? The elite Bach group explores the shaping of the musical genius in a program including works by his contemporaries and a superb performance by countertenor Russell Harcourt.

Eclectic electric century-hopping guitar recital from Scottish guitarist.

Donald Runnicles leads the SSO in a stunning Sydney debut by Grammy-winning violinist Augustin Hadelich, and a moving homage to the Queen.

In this must-see concert, Finnish piano virtuoso and composer Olli Mustonen leads members of the ACO in a gloriously kaleidoscopic display of musical colour and wit.

Ahead of High Score 2022, composer Jeff van Dyck and orchestrator Nathan Cummins reveal the treasures they uncovered while recording the soundtrack for Submerged: Hidden Depths.

Simone Young discusses the highlights of her second “theatrical” year as the SSO’s Chief Conductor, including several works she will conduct for the first time in her celebrated career.

Festival Director Ian Cleworth discusses the inaugural BOOM! International Festival of Percussion, which celebrates percussive beats across the spectrum from cutting-edge art music to Afro-Latin.

Why taking music out of the concert hall has been a key element in Lamorna Nightingale's programming for BackStage Music.