In his first visit to the Top End, Jayson Gillham gave a dazzling recital of Bach transcriptions and his own favourite Chopin works.

Lippel presents Bach refretted, reimagined and rejuvenated.

The pandemic has exposed rifts between arts organisations and freelance musicians. We need to recast the relationship for everyone to thrive.

With Ólafsson and Mozart, pianists and their programs are rarely as engrossing.

Young Brit star plays American tunes for much-anticipated sophomore album

ELISION’s regular members are superbly captured in close-up as they perform on both conventional and unusual instruments in the Performance Series on YouTube.

The four finalists for this year's Classical Freedman Fellowship, Will Hansen, Molly Collier-O’Boyle, Kyla Matsuura-Miller and Eliza Shephard, will perform at the deciding concert at the Sydney Opera House in November.

Modern master of the keyboard revels in Renaissance glories.

A COVID gratitude list in a bid to lift his spirits, Guy Noble finds joy in Bach, toasted sandwiches and the hold music on the ATO helpline. 

Born in Sweden and now based in Sydney, Tommie Andersson explains how he moved from the guitar to the lute and the theorbo, and why his theorbo is nicknamed the Thredbo.

Ahead of a performance at the OzAsia Festival, avant-garde keyboardist Belle Chen tells us about her new work Destinations.

Christian Li recently released his debut album for Decca Classics, becoming the youngest soloist to record Vivaldi’s The Four Seasons for a major label – yet another first for the virtuosic, 13-year-old Melbourne violinist.