Review: Dido & Aeneas (State Opera of South Australia/Elder Conservatorium)
This youthful, celebratory take on the seminal work works well in its post-industrial setting.
This youthful, celebratory take on the seminal work works well in its post-industrial setting.
A round-up of this year’s boundary-challenging US Festival, staged in various venues including a rock club, a museum and a world heritage site.
The October 2018 issue of Limelight Magazine is now on sale featuring Daniel Barenboim, Karina Canellakis, Teatro alla Scala Ballet Company, and much more.
Handel’s tyrants, kings and fathers brought to musical life.
Making her anticipated Victorian Opera debut as Debussy’s enigmatic heroine, high-flying soprano Siobhan Stagg relishes the challenge of unravelling her character’s many contradictions.
Rossini’s Full Monty: Opera Rara restores a mature masterpiece in toto.
A delightful concert version with a top cast led by Alexander Lewis, Caroline O'Connor and a glittering Annie Aitken.
The British conductor talks to us about Mozart in London, Limelight's Recording of the Month in September.
Wolfgang’s Boy’s own story: Maybe it’s because, for all of 15 months, Mozart was a Londoner.
Its newly announced season includes a new series intended to promote existing Australian opera.
Vote here for the artists you'd like to see honoured in our Australian and International Artists of the Year Awards.
Brian Howard’s opera is given an impressive revival in a suitably grungy new performance space.
Critics have applauded the soprano's touching assumption of Puccini's seamstress.