Artistic Director Chris van Tuinen discusses a new production of Charpentier’s opera, intriguingly set in a pool with a squad of synchronised swimmers.

Gun-Brit Barkmin returns, Siobhan Stagg is the orchestra’s first ever Artist-in-Association, and a raft of stellar soloists and conductors make this a jam-packed season.

The much-loved Australian soprano discusses the world premiere of a song cycle written for her by composer Paul Grabowsky and librettist Steve Vizard, which draws on her own experiences as an artist.

First opera by a woman gets the brilliant revival it deserves.

Nymphs and shepherds more than live up to pastoral promise.

Gore’s tribute is more than worthy of its name.

Paul Dean's first opera is a bleak, darkly-realised portrait of toxic masculinity at the dawn of Federation.

The September 2018 issue of Limelight Magazine features a celebration of Jørn Utzon's mighty Sydney Opera House, Composer of the Month Peter Sculthorpe, and much more.

New Zealand baritone Benson Wilson has won the 2018 Bel Canto Award, while the Elizabeth Connell Prize went to French soprano Claire de Monteil.

The September 2018 issue of Limelight Magazine is now on sale featuring Jørn Utzon's mighty building, Australian composer Peter Sculthorpe as Composer of the Month, and much more.

Melbourne Con's ambitious production of Poulenc’s tragic opera a memorable experience.

When he directs a concert version of Bernstein’s operetta for the Sydney Philharmonia, Mitchell Butel will tune into the naivety and arrogance of youth, and colourful pop art.