Review: Chamber Pot Opera (Bontom Entertainment)
An inventive, heartfelt pastiche that brings the magic of opera to the everyday world.
An inventive, heartfelt pastiche that brings the magic of opera to the everyday world.
Johann Christoph Pepusch, aka John Christopher Pepusch or just plain Dr Pepusch, was born in Berlin in 1677, but moved to England around 1700 where he became a leading light of London’s musical life. In 1726, he was one of the founders of the Academy of Ancient Music and two years later scored his greatest success arranging the music for John Gay’s runaway hit, The Beggar’s Opera. The peak of his career coincided with the rise of the Italian opera in London, and, as his involvement with Gay’s famous lampoon would suggest, Pepusch was strong on the side of those seeking an English alternative to continental excess. Written in 1715, his masque Venus and Adonis looked like it might be just the thing to ‘reconcile Musick to the English Tongue.’ For all its Englishness – and it’s a clear precursor of Handel’s Acis and Galatea – the work is packed with the stock in trade of Italian opera including da capo arias, virtuoso instrumental effects and plenty of accompagnato recitative. So, what’s it like? The immediate observation listening to what is a world-premiere recording on the enterprising Ramée label is how can this melodious and memorable music have… Continue reading…
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Sung with immense beauty and committed acting, Freeze Frame Opera's Bohème is opera at its best.
Director Clemence Williams talks stories for women, how opera can flourish, and the challenges of the QVB's Ladies' Room.
To celebrate John Adams' 70th birthday, Andrew Mogrelia will conduct scenes from Nixon in China for Opera Australia.
Baryshnikov and others rally in defence of Kirill Serebrennikov, who they believe falsely implicated in a million rouble embezzlement.
Entertaining production with great music, if not exactly suitable for children.
A rare glimpse inside Dame Nellie’s country Victorian home, followed by high tea in the diva’s former garage.
ARCO finished splendidly with an unfinished masterpiece.