There's not much about the Phantom that Guy Simpson doesn't know, having worked on 15 productions since 1990, so how has he approached OA's Sydney Harbour production?

For the first time since the scholarship was introduced in 2008, two mid-career designers have been honoured.

The Western Australian soprano discusses her role in WA Opera's Iolanta, which centres the lived experience of the blind and vision impaired community, and the language challenges inherent in opera.

This new work plays with centuries of expectations around women’s roles in opera.

Industry researchers say 2022 Budget ends COVID support far too early, as an especially dire picture emerges for film and television and for regional arts.

Dark-hearted Polish gem sparkles in thoughtful staging.

Perth-born tenor Louis Hurley will take up a two-year scholarship thanks to a new partnership with The Humanity Foundation.

This spectacular new production is inventively staged, with some stellar performances that will take your breath away.

Director Constantine Costi details the challenges and excitements of adapting two works by Weill and Brecht for the tiny stage at Sydney's Old Fitz.

A welcome revival of Weill and Brecht’s follow-up to The Threepenny Opera.

Donizetti has created a marvellous piece of music through which he tells a dramatic tale, eloquently expressed in this concert production.

Haunting adult fairy tale receives a multifaceted and powerfully moving production.