Limelight’s Orchestral Recording of the Year 2018
Andris Nelsons paints the two faces of Shostakovich.
November 20, 2018
Andris Nelsons on his lifelong journey with Shostakovich
The Latvian conductor talks to Limelight about his latest Shostakovich disc with the Boston Symphony Orchestra, Limelight's Recording of the Year for 2018.
November 20, 2018
Review: Viennese Romantics (Sydney Symphony Orchestra)
David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.
November 17, 2018
The Sydney Symphony Orchestra pays tribute to Richard Gill
Ahead of the orchestra's memorial concert, CEO Emma Dunch reflects on Richard Gill’s legacy with the SSO.
November 16, 2018
Review: Prokofiev Five (Sydney Symphony Orchestra)
A concert all the more interesting for its elements of surprise.
November 13, 2018
Review: Finzi (Watkins, Lortie, BBC Symphony Orchestra/Davis)
Watkins and Lortie help Finzi rake eloquently over Romantic embers.
November 12, 2018
Review: Schwartz, Broadstock: Orchestral works (Synchron Stage Orchestra Vienna)
Broadstock matches Schwartz in this new side by side issue.
November 12, 2018
Review: Matthew Shlomowitz: Avant Muzak (Asamisimasa)
Shlomowitz turns the everyday into the weird and wonderful.
November 12, 2018
Review: Haydn • Schoenberg (Alisa Weilerstein, Trondheim Soloists)
Weilerstein’s Pentatone debut mixes both head and heart.
November 12, 2018
Review: Brahms: Symphonies Nos 1 to 4 (Staatskapelle Berlin/Daniel Barenboim)
Barenboim channels Elgar in a return to Brahms.
November 12, 2018
Review: Beethoven Seven (Sydney Symphony Orchestra)
Claire Edwardes unveils James MacMillan's latest percussion concerto and David Robertson gives us a cracker of a Beethoven 7.
November 9, 2018
Lachlan Skipworth: Exploring the Hinterland
In his latest work for the West Australian Symphony Orchestra, Lachlan Skipworth evokes the unique rock formations of WA.
November 5, 2018
The Metropolitan Orchestra announces its 2019 season
The orchestra celebrates its first decade with large-scale orchestral masterworks and a world premiere by Daniel Rojas.
November 2, 2018