Cautious optimism suggests the ravaged industry is making a comeback, but improved attendance is contingent on low transmission risk.
The combined forces of MSO and ANAM under Chief Conductor Jaime Martín delivered a revelatory performance that brought the audience to its feet.
As the Edinburgh International Festival celebrates its 75th anniversary alongside the concurrent Edinburgh Fringe, it hosts the largest contingent of Australian artists in its history.
Led by Artistic Director Annette Shun Wah, OzAsia Festival returns to the Adelaide Festival Centre in October with over 500 artists across 50 events and 10 world premieres.
As the world resets, Tognetti makes a compelling statement about the fragility of life on Earth in this concert with striking video imagery.
This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.
John Wilson finesses a minor composer with a major voice.
The MSO’s Chief Conductor discusses Stravinsky's The Firebird, Petrushka and The Rite of Spring as his August concert program gets underway.
One of Australia’s foremost violin pedagogues, who was a founding member of the ACO, has died at the age of 75, leaving behind a formidable legacy.
Fifteen experts from across Australia’s creative industries have been appointed to five panels that will identify key issues in safeguarding Australia’s arts sector and its vital role in the economy.
Strauss's songs were given an intoxicating performance by soprano Nicole Car, while Wagner's Ring without Words had some marvellous moments under conductor Nicholas Braithwaite.
Petrenko and WASO deliver a blistering, electric performance of Shostakovich's Symphony No 11, while Emily Sun brings some show-stopping technique to Mozart.
Star cellist Sheku Kanneh-Mason gives an impressive performance in his Australian debut, while a work by Anne Boyd proves the perfect concert-opener.
